REASONABLE TASTE – Aesthetics & Literary Criticism

Henry Louis (‘H.L.’) Mencken (http://en.wikipedia.org/wiki/Mencken) was inspired by ‘the argot of the coloured waiters’ in Washington, as well as one of his favourite authors, Mark Twain, and his experiences on the streets of Baltimore. In 1902, he remarked on the ‘queer words which go into the making of ‘United States’. The American Language (1919) was preceded by several columns

The Story of Art, by Ernst Gombrich (http://en.wikipedia.org/wiki/Ernst_Gombrich), is a survey of the history of art from ancient times to the modern era. First published in 1950, the book is widely regarded both as a seminal work of criticism, and as one of the most accessible introductions to the visual arts. The book was originally

Echoing Edward Said’s belief that ‘Western humanism is not enough, we need a universal humanism’, the renowned critic Clive James (http://en.wikipedia.org/wiki/Clive_James and http://www.clivejames.com/) presents here his life’s work. Containing over one hundred original essays, organized by quotations from A to Z, Cultural Amnesia (2007) illuminates, rescues, or occasionally destroys the careers of many of the greatest thinkers,

What makes Shakespeare the greatest dramatist/poet, period? This masterpiece of literary criticism and elucidation will tell you. It is, in itself, a marvellous achievement and a distillation of a lifetime of thinking. The finest tragedies written in English were all composed in the first decade of the seventeenth century, and it is generally accepted that

David E. Cooper, Professor of Philosopy at Durham, (http://en.wikipedia.org/wiki/David_E_Cooper) has put together this volume of writings about the theory of beauty. Possibly on the esoteric side, nevertheless whole academic careers have been devoted to it. Authors represented are Plato, Aristotle, Plotinus, Hume, Kant, Schiller, Hegel, Schopenhauer, Tolstoy, Bell, Dewey, Heidegger and Collingwood. Hume and Schopenhauer are

It’s a contentious matter as to which of Shakespeare’s plays is the greatest. Some say ‘King Lear’, others say ‘Hamlet’. For my money ‘Measure for Measure’ is right up there, but ‘The Tempest’ is the greatest play. It was the last to be written and seems to encapsulate the Bard’s best wisdom. Here, for example, is

‘The great English novelists are Jane Austen, George Eliot, Henry James and Joseph Conrad. . .’ So begins what is arguably Frank Raymond Leavis’s (http://en.wikipedia.org/wiki/F._R._Leavis and http://www.pro-europa.eu/index.php?option=com_content&view=article&id=345:paul-dean-the-last-critic-the-importance-of-f-r-leavis-&catid=27:spirit&Itemid=61 and http://www.theguardian.com/books/1978/apr/18/classics.johnezard) most controversial book, The Great Tradition, an uncompromising critical and polemical survey of English fiction that was first published in 1948. He puts a powerful case for moral

Ivor Armstrong Richards (http://en.wikipedia.org/wiki/I._A._Richards and https://archive.org/details/practicalcritici030142mbp  was one of the founders of modern literary criticism. He enthused a generation of writers and readers and was an influential supporter of the young T.S. Eliot. Principles of Literary Criticism was the text that first established his reputation and pioneered the movement that became known as the ‘New Criticism’. Highly