EGGHEAD CHOICE – Crack open for a hard boiled think

Crack open for a hard boiled think

The Hedgehog and the Fox by Isaiah Berlin

The title is a reference to a fragment attributed to the Greek poet Archilocus: πόλλ’ οἶδ’ ἀλώπηξ, ἀλλ’ ἐχῖνος ἓν μέγα (“the fox knows many things, but the hedgehog knows one big thing”). In Erasmus Rotterdamus’s Adagia from 1500, the expression is recorded as Multa novit vulpes, verum echinus unum magnum. The fable of The Fox and the Cat embodies the same idea. […]

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The Anxiety of Influence by Harold Bloom

‘Literature as a way of life’ is the theme of this 1973 work by the self-assured Harold Bloom (http://en.wikipedia.org/wiki/Harold_Bloom and http://english.yale.edu/faculty-staff/harold-bloom). It is also an on-going conversation across the generations and between authors. Bloom traces out the strands of influence which connect all these authors of poetry. His take on the concept of influence is that

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Chaos by James Gleick

James Gleick (http://en.wikipedia.org/wiki/James_Gleick and http://around.com/) is a Pulitzer Prize winning journalist, writer and lecturer. He made his name in 1987 with Chaos. Chaos theory has made huge advances since that time but this is possibly still the best introduction on the subject for the layperson. It describes the Mandelbrot set, Julia sets, and Lorenz attractors without resorting to

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The Hero with a Thousand Faces by Joseph Campbell

Joseph Campbell (http://en.wikipedia.org/wiki/Joseph_Campbell) was the great comparative mythologist of the twentieth century. In this book (1949), from an astonishing range of examples, Campbell constructs the ‘monomyth’, a universal structure found in mythologies, folk tales, and fairy tales across the globe. This is the “Hero’s Journey”. In addition, Campbell explores the Cosmogonic Cycle, the mythic pattern of world

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The Sense of An Ending by Frank Kermode

The Sense of an Ending (1967) is a book which seeks to establish a connection between fiction, time and apocalyptic modes of thought. Frank Kermode (http://en.wikipedia.org/wiki/Frank_Kermode) sees in the apocalyptic certain features which, he suggests, provide a useful analogy with the process of reading and writing fiction. The author tells us that in imagining an end

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