The Idiot

Elif Batuman (https://en.wikipedia.org/wiki/Elif_Batuman) is a staff writer for The New Yorker magazine. Her 2017 novel The Idiot concerns a college undergraduate, Selin, attending Harvard. The title is a conscious echo of the novel by Dostoyevski.   Selin has a conversation with her university friend Svetlana about whether or not one’s life should be thought of […]

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Phantoms in the Brain

Here is something to unsettle your conviction that there is any real ‘self’ reading these words. V.S. Ramachandran (https://en.wikipedia.org/wiki/Vilayanur_S._Ramachandran) shows how strikingly simple experiments can illuminate the ways the brain establishes the illusion of a self.   In avuncular style, he snatches territory from philosophers on the certainty of knowledge. In one experiment, stroking an amputee’s cheek produces sensations

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Translating Neruda by John Felstiner

Pablo Neruda (https://en.wikipedia.org/wiki/Pablo_Neruda) is greatly revered by aficionados of Spanish poetry. You may have enjoyed his work in the original language, or read a translation. But what is entailed in translating a poem? How much is lost, and what, if anything, is gained? Usually the process gets forgotten once a newly translated poem is published.

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Vermeer by Lawrence Gowing

This is a classic study of an artist, first published 1970. Lawrence Gowing (http://www.nytimes.com/1991/02/07/obituaries/sir-lawrence-gowing-a-painter-writer-curator-and-teacher-72.html) explores the ways in which Johannes Vermeer (Johannes Vermeer – Dutch Baroque, Genre Paintings, Delft | Britannica) was similar to and different from his contemporaries – especially Vermeer’s early struggles with genre scenes and his solutions (solitary women lost in their

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