Beyond Greek

In this book Denis Feeney (http://www.princeton.edu/classics/people/display_person.xml?netid=dfeeney) argues that the creation of a Roman literature on Greek models was not just a matter of time, something that was bound to happen sooner or later, but instead one of the strangest and most unlikely events of Mediterranean history. Authors whom we read every day – Virgil, Ovid, Cicero […]

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The Watcher

Ross Armstrong (http://www.hamiltonhodell.co.uk/cv/client_ross-armstrong_id_100030.htm) is a British stage and screen actor who has performed in the West End of London, on Broadway and in theatres throughout the UK. He has acted in Hamlet, Cyrano de Bergerac, Antony and Cleopatra, and The Deep Blue Sea. His TV appearances include Foyle’s War, Jonathan Creek, Mr Selfridge, DCI Banks

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Take Pride by Jessica Tracy

In this book a leading psychologist reveals how the emotion of pride has shaped our minds and our culture, and shows how we can harness its power. Long understood to be a powerful drive in the self-conscious human animal, it has been classed as first in the list of seven deadly sins by religion. (https://en.wikipedia.org/wiki/Seven_deadly_sins) Why

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Utopia is Creepy by Nicholas Carr

Nicholas Carr’s Utopia is Creepy: and Other Provocations is significant for the questions it raises about our relationship with technology. Such as, how is the Internet affecting our powers of concentration? Can personal technology seduce us away from things we find pleasurable or fulfilling? Can we have the peace and prosperity technological enthusiasts promise without an accompanying

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Skeptic by Michael Shermer

Lies, distortion, ignorance and falsity now saturate our culture. A fresh acme was reached during the US Presidential Trump campaign in late 2016 when ‘post-truth’ (https://en.wikipedia.org/wiki/Post-truth_politics) became celebrated. Fact checkers couldn’t keep count of the lies which were being spewed out. Thank goodness the cool voice of reason and a love of truth still exist.

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What the F by Benjamin K. Bergen

Even something as quotidian and seemingly inconsequential as swearing can be subject to theory. Why do we swear, and what function does it fulfil? Can we infer anything from cultural or historical variations in the practice of swearing? Is it, for example, always intemperate behaviour, and always (in some form) aggressive? Is it always offensive?

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