LIVES WELL LIVED? A pick from biography and memoir

Now All Roads Lead to France

In the winter of 1913, Edward Thomas’s (http://en.wikipedia.org/wiki/Edward_Thomas_(poet)) life was drifting. He was a 34-year-old father of three stuck in an unsatisfying marriage. He had produced 20 books of biography and criticism, and more than 1,500 book reviews, most at high speed. Though The Times had described him as ‘the man with the keys to the Paradise […]

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Albert Speer

Albert Speer (http://en.wikipedia.org/wiki/Albert_Speer), Hitler’s pet architect and wartime armaments supremo, has always been regarded differently from the rest of the Fuhrer’s henchmen. The ragbag of embittered veterans and political terrorists, shadows of Hitler himself, had little in common with the respectable and prosperous Speer, too young to have fought in the First World War, too fastidious and

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Thomas Cranmer

The last few years have seen a remarkable surge in studies of the Reformation period and this book by Diarmaid MacCulloch  (http://en.wikipedia.org/wiki/Diarmaid_MacCulloch and http://www.stx.ox.ac.uk/people/fellow/professor-diarmaid-macculloch) makes a further contribution, putting at the centre of the first half of the 16th century Thomas Cranmer (http://en.wikipedia.org/wiki/Cranmer), the archbishop with the beard who created the Church of England. Cranmer’s beard dominates

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The Last Pre-Raphaelite

‘The best way of lengthening out the rest of our days, old chap, is to finish off our old things’, said the ageing William Morris to his oldest friend and collaborator Edward Burne-Jones (http://en.wikipedia.org/wiki/Edward_Burne-Jones). Both were in their sixties; neither would see out the 1890s. Burne-Jones had been designing tapestries and stained glass – sometimes at the rate of

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Matisse the Master

‘If my story were ever to be written down truthfully from start to finish, it would amaze everyone’, wrote Henri Matisse.  It is hard to believe today that Matisse (http://en.wikipedia.org/wiki/Matisse and http://www.bbc.co.uk/arts/yourpaintings/artists/henri-matisse), whose exhibitions draw huge crowds worldwide, was once almost universally reviled and ridiculed. His response was neither to protest nor to retreat; he simply

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