Those Barren Leaves

Aldous Huxley spares no one in his ironic, piercing portrayal of a group gathered in an Italian palace by the socially ambitious and self-professed lover of art, Mrs. Aldwinkle. Here, Mrs. Aldwinkle yearns to recapture the glories of the Italian Renaissance, but her guests ultimately fail to fulfill her naive expectations. Among her entourage are: a suffering poet and reluctant editor of the Rabbit Fanciers’ Gazette who silently bears the widowed Mrs. Aldwinkle’s desperate advances; a popular novelist who records every detail of her affair with another guest, the amorous Calamy, for future literary endeavors; and an ageing sensualist philosopher who pursues a wealthy, yet mentally disabled, heiress. Stripping the houseguests of their pretensions, Huxley reveals the superficiality of the cultural elite. Deliciously satirical, Those Barren Leaves bites the hands of those who dare to posture or feign sophistication and is as comically fresh today as when first published in 1925.

The title is derived from the poem ‘The Tables Turned’ by William Wordsworth which ends with the words:

Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.

ISBN 978-0140008326

Monochrome portrait of Aldous Huxley sitting on a table, facing slightly downwards.

Aldous Huxley

 

 

 

 

 

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