A worthy winner of the Booker of Bookers, Midnight’s Children (1981) is a fantastic
achievement in fiction by British Indian Salman Rushdie (http://en.wikipedia.org/wiki/Salman_Rushdie and http://www.salman-rushdie.com/ and http://www.nytimes.com/books/99/04/18/specials/rushdie.html) and already deemed a classic. It is a sophisticated blend of magical realism and historical fiction setting before us the (un)reality of post-colonial India. Gloriously witty and irreverent prose delivers the tale. The chief character Saleem Sinai has been born at midnight, the midnight of India’s independence, and found himself mysteriously ‘handcuffed to history’ by the coincidence. He is one of 1,001 children born at the midnight hour on August 15th 1947, each of them endowed with an extraordinary talent – and whose privilege and curse it is to be both master and victims of their times. Through Saleem’s gifts – inner ear and wildly sensitive sense of smell – we are drawn into a fascinating family saga set against the vast, colourful background of the India of the 20th century. The imagination of Rushdie fizzes throughout and he offers a staggering firework display of playful language. Time and again as regards both ideas and expression I found myself wondering ‘How DID he think of that?’ If you can commit to a complex read this will repay you in spades. No doubt thousands of excellent pieces of fiction were written in the twentieth century, but if there is a greater achievement than this, I know not of it.
Follow up this novel with The Moor’s Last Sigh (1995) (http://www.amazon.co.uk/Moors-Last-Sigh-Salman-Rushdie/dp/0224038141/ref=tmm_hrd_title_0?ie=UTF8&qid=1389274245&sr=8-1)The central character of this novel, ‘Moor’ Zogoiby, only son of a wealthy, artistic-bohemian Bombay family, finds himself at a point of crisis where all value systems seem to crumble. His mother, a famous painter and an emotional despot, worships beauty, but Moor is ugly, he has a deformed hand. Moor falls in love with a married woman; when their secret is revealed, both are expelled. A suicide pact is proposed, but only the woman dies. Moor chooses to accept his fate and plunges into a life of depravity in Bombay, then leaves for London where he becomes embroiled in a major financial scandal. The novel ends in Spain, in the studio of a painter who was the lover of Moor’s mother. In a violent climax Moor has, once more, to decide whether to save the life of his lover by sacrificing his own. This is another complex and stunning work of fiction from Rushdie.
Midnight’s Children was brought to the screen in 2012 by director Deepa Mehta. Screenplay by Salman Rushdie. Stars Rajat Kapoor, Vansh Bhardwaj and Anupam Kher. (http://www.imdb.com/title/tt1714866/?ref_=fn_al_tt_1)
Available on DVD at http://www.amazon.co.uk/Midnights-Children-DVD-Satya-Bhabha/dp/B00AAXZAZ2/ref=sr_1_18?ie=UTF8&qid=1389273735&sr=8-18&keywords=salman+rushdie
672 pages in Vintage Classics paperback edition.
ISBN 978-0099578512
Salman Rushdie